Japan d/ A. Kurosawa
The master's brilliant adaptation of Shakespeare's MacBeth. He used the general scenario, ignored the words...instead brought in the traditions and forms of Noh Theater. This was a melding of European and Japanese cultural memes; a perfect illustration of cross-fertilization.
Because Noh acting is based on types, not individual characters it was impossible to empathize or identify with anyone here: characters were in the unholy grip of human nature with all the stupidity that brings. They play out their parts in the cosmic drama. Twas ever thus.
Staging, framing, camera were superb. He was at the height of his powers when this was made. In my opinion this is the best Shakespeare-based film I've ever seen (and there have been many). The final scenes, where the usurper finds his fate were stunning, unforgettable.
10
Wednesday, June 3, 2015
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