Kirsten Dunst w/d Lars von Trier
This film asks the question...is melancholy, or depression, tied to the ability to foresee the increasingly dismal future and thus is a sane, reasonable reaction to this knowledge? Or does it presage the literal end of the world? LvT's triumph here is making those questions seem legitimate.
As a metaphor Melancholia works brilliantly...forcing any thoughtful viewer to walk out thinking, turning ideas over and over in his mind. As a human drama it fails almost completely. The behavior of all the characters is stupid and inexplicable...I found them irritating throughout...even given the obvious skill of the players.
The film starts with ten minutes of striking images shown in ultra-slow motion. Loved this opening. The next hour strongly resembles Celebration in its embarrassing airing of ancient family grievances at a public gathering. We then move to the end of the world.
The entire film is crippled by the constantly wavering camera syndrome LvT and some pals inflicted on the world of cinema in 1995 (dogme) and in which he is now trapped. It was idiotic in this film and worked as a continual distraction.
Still...as impatient and irritated as I was for nearly two hours...when the extended final sequence got cracking I found it riveting. And never has a film ended with such a glorious bang.
7