Modern-day (1962) adaptation of the Greek myth. Towering tragedy brilliantly realized by Dassin. Wonderful compositions, luminous b/w lighting, the great face of MM...seemingly built to play tragic parts. Traditional music, stunning locations, camera movement...
There was a stateliness to the pacing...everyone knew where this story was going...that felt just right. The consummation scene between Phaedra and her stepson should serve as a model to contemporary filmmakers.
Perkins was the only weak link...not in all his scenes but one that took place at a party on a yacht clunked. He was too vague, especially compared with his co-star who radiated angst.
Still, this stands as one of the great adaptations of classical tragedy. Love and death intertwined.
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